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Social Media Marketing

Social Content Production

We produce the content: on-site photo and video days, edited into short-form verticals, captioned, and delivered in enough volume to feed a month of posting and a paid creative test queue.

Free proposal · No contracts over 30 days · Reply within one business day

Shoot producing a typical month of content
1 dayShoot producing a typical month of content
Assets delivered per production day
20–30Assets delivered per production day
Native capture format, not a crop
9:16Native capture format, not a crop

The problem

Most social programmes stall on supply, not strategy. The calendar is agreed, then nobody has footage, so the feed fills with stock images and quote graphics that no one engages with and that make the brand look like every other account.

How we do it

What the work actually involves

/01

Batch production, monthly

One shoot day produces a month of material. Trying to create content weekly with the team you have is how programmes die in month three.

/02

Shot vertical, natively

Cropping horizontal footage to 9:16 loses the frame and looks repurposed. Shooting for the format costs nothing extra when it is planned.

/03

Same assets feed paid

The creative volume Meta needs and the volume your organic calendar needs are the same problem. Producing once for both is where the economics work.

/04

Captions, always

Most feed video is watched muted. Burned-in captions are not an accessibility afterthought here, they are the difference between the message landing and not.

Included

What you actually receive

  • Shot list and concepts built from the content calendar
  • On-site photo and video production
  • Vertical editing with burned-in captions
  • Paid-ready variants of the strongest concepts
  • Organised asset library handed over

Tools we use

  • Adobe Premiere
  • CapCut
  • Lightroom
  • Canva
Common failures

Where this usually goes wrong

The three we are called in to fix most often. If any of these describe your current setup, that is the first thing we would change.

  • Creating content weekly

    It is why programmes die in month three. One planned shoot day produces a month of material; trying to make it as you go produces stock images and quote graphics.

  • Cropping horizontal footage to vertical

    It loses the frame and reads as repurposed. Shooting for the format costs nothing extra when it is planned, and everything when it is not.

  • Producing for organic only

    The creative volume paid social needs and the volume the calendar needs are the same problem. Producing once for both is where the economics work.

Measurement

How you will know it is working

Agreed before we start, so progress is visible in the months before it shows up in revenue.

Assets per production day
Twenty to thirty usable pieces. Below that the day was not planned against the deliverables.
Per shoot
Weeks of runway
How far ahead the content bank stretches. When it drops under two, quality starts falling.
Monthly
Paid creative from the same shoot
Share of ad creative sourced from organic production. It is what makes the shoot pay twice.
Monthly
Questions

Any question in your mind?

The questions we get asked most, answered without the sales gloss. If yours is not here, ask us directly — you will get a straight answer either way.

Still have questions?

Book 30 minutes with a strategist. No deck, no pitch — just answers about your situation.

Book a call

It helps a great deal for service businesses — people hire people. But process footage, finished work and before-and-afters carry a programme on their own if nobody wants to present.

Looking for pricing, contract terms or timelines?

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Ready when you are

Ready to Build Your Next Big Project?

Tell us what you are trying to grow. You will get a straight answer on whether we can help, and what it would cost, within one business day.

Call +1 (802) 597-1981